Adelphiasoplot

All Sacrificed for a Passion: Georg Polti Plots or Storylines - The 36 Dramatic or Tragic Situations

Abstract

Offers a combination of gloom and eroticism—potential for studying nervous pathology. Destruction of honor, fortune and life perhaps by erotic vice. If you have been intending to start that novel or screenplay but felt short of ideas, here is the Wise Women’s synopsis of plot to give you a few ideas. May the Goddess inspire you. Saviour Shirlie.
Page Tags: All Sacrificed, Passion, Drama, 36 Dramatic Situations, Georg Polti, Gozzi, Plot, Plots, Storylines, Narrative
Site Tags: Persecution sun god svg art Israelites Joshua Marduk Judaism contra Celsum God’s Truth Christendom The Star Truth Belief Christmas Hellenization morality
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All cosmogonic myths need a primum agens to precede existence and bring it about, the reason for God with the capital G.

Wise Women Discuss—Plot!

 
 

All Sacrificed for a Passion

Offers a combination of gloom and eroticism—potential for studying nervous pathology.

Elements

  1. A lover
  2. An object of the fatal passion
  3. A person or thing sacrificed

Themes

  1. Miscellaneous sacrifices for a passion
    • Religious vows broken
      • of purity or of chastity
      • respect for a priest destroyed
    • A future ruined
    • Power ruined Antony and Cleopatra, Shakespeare
    • Ruin of mind, health and life
    • Ruin of fortunes, lives and honor Nana, Zola
  2. Temptations destroying the sense of duty, of pity, etc Salome, Wilde
  3. Destruction of honor, fortune and life by…
    • erotic vice
    • any other vice


Last uploaded: 20 December, 2010.

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Before you go, think about this…

Ancient texts, whether considered today as literary or historical, have to be read realizing that they were not abstract writings. Every one is commissioned (usually by a king) of scribes (who did not write for fun) for a purpose (often propaganda) with a channel of dissemination (often the temple or prophets) for an audience (mainly the people). Moreover, the ancients did not distinguish categories of writing as we do. What we consider literary works, which might be fantastical or supernatural in storyline, are set in the natural world familiar to the author, and what we regard as historical is often partly fictional whether for propaganda reasons or simply because the records were inadequate and the stories, though hiostorical, became mythologised. In respect of a history of the Jews, our sources, methods, and aims are utterly distinct from those of the original authors of the bible. Scholar Mario Liverani’s book Beyond the Bible dates the Judaean kingdom from about 930 BC.

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