Flight: Georg Polti Plots or Storylines - The 36 Dramatic or Tragic Situations
Abstract
This is a translation of Vengeance (and any in which danger pursues a character) into the passive. The major distinction is that in Flight the avenging elements are less important or may be even invisible or abstract. If you have been intending to start that novel or screenplay but felt short of ideas, here is the Wise Women’s synopsis of plot to give you a few ideas. May the Goddess inspire you. Saviour Shirlie.
This is a translation of Vengeance (and any in which danger pursues a character) into the passive. The major distinction is that in Flight the avenging elements are less important or may be even invisible or abstract. The interest is in the fugitive alone; sometimes innocent—always excusable, for the fault (if there was one) seems to have been inevitable—ordained. We, the audience, do not blame it or inquire after it but sympathetically suffer the consequences with the hero, who, whatever his past faults is now a fellow man in danger. We are all of us capable of committing any crime, so we feel ourselves accomplices in even the worst. Drama allows us to get experience of error and catastrophe in a less costly way than in reality. The sense of isolation which characterises this situation gives a parculiar unity to the action, and a clear field for psychological observation. Famous TV series, The Fugitive.
Elements
The Punishment
A Fugitive
Themes
Fleeing justice
for murder, brigandage, etc
for political offences, rebellion, etc
Fleeing for fault of love
A hero fleeing a power (seeking injustice) The Death of Hector; Troilus and Cressida, Shakespeare
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Before you go, think about this…
George Eliot, arguably the best nineteenth century women novelist, was among those who thought Christianity immoral. God behaved like a “revengeful tyrant”, and that was plainly unethical. The doctrine of “original sin” means God punishes people for something that they are born with as ordinary human beings. What sort of God decides upon this unfair punishment then decided to punish his son instead?
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When a bishop from the American West prays for God to intervene and end a devastating dry spell, why is the prayer needed? Didn’t God know of the drought? Was he unaware that it threatened the bishop’s parishioners? What is implied here about the limitations of a supposedly omnipotent and omniscient deity? The bishop asked his followers to pray as well. Is God more likely to intervene when many pray for mercy or justice than when only a few do?
